MUSIC
"Marie Cayeux’s lively demeanour and bright coloratura soprano made Columbine always welcome." - The Times
"Columbine’s lines are projected with striking focus by Marie Cayeux." - The Stage
"French-Kabylian soprano Marie Cayeux as a sweet-toned yet steely Columbine" - Musical America
"...alongside an impressive Marie Tiziri Cayeux as Norina."
- Hugh Kerr for The Edinburgh Music Review
"...the immensely promising Marie Cayeux as the Maid, who with her capriciousness and comic acting is another star." (Read full review here: https://seenandheard-international.com/2023/03/russian-double-bill-enthrals-glasgow-with-rcss-neglected-opera-based-on-pushkin-and-a-sensational-satirical-hit/ )
"...soprano Marie Cayeux almost stole the show with the Maid’s anti-New York song." (Read full review: https://voxcarnyx.com/2023/03/23/russian-opera-double-bill/ )
"...Cayeux also had the victory role in Four Sisters..." (Read full review here: https://www.heraldscotland.com/news/23408659.opera-russian-double-bill-new-athenaeum-royal-conservatoire/ )
"...the singing and sitcom-style comic acting from the principals were superb. But I reserve a special mention for Marie Cayeux. I have seen her now in 3 roles [...]. She has a captivating stage presence and an individual vocal character with a steady vibrato that I find mesmerising [...]. Wow. " (Read full review here: https://www.edinburghmusicreview.com/reviews/rcs-russian-double-bill-23 )
"Here Laoula is the French-born soprano Marie Cayeux who shows every nuance of charm and humour in her air ‘Tous deux assis dans le bateau’."
- Full review of the show here.
- Read full review of the show here.
'The Sandman and Dewfairy both made a positive impression in short "cameo" roles.'
- Read full review of the show here